Drop 2 Guitar Chord Voicings
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E7 Drop 2 Chord
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Free your fingers from 'Bar Duties' and give them something
exciting to do by learning these must-know drop 2 guitar chord voicings.
The trouble with the basic guitar bar chords is that they become extremely limiting if you want to make
quick chord changes or play different chord voicings. One way around this is to start learning different ways to
play chords... and there's nothing better than learning how to play drop 2 guitar chord voicings.
They give you 4 different ways (voicings) to play the same chord.
Drop 2 chords are a very popular alternative to bar chords. They are used by blues players a lot, country, folk,
rock and jazz players too. In fact, these are must-know chord shapes for any guitarist worth his salt.
What Are Drop 2 Guitar Chords?
What Are Drop 2 Chords?... Drop 2 chords are basically made by dropping the 2nd voice
down to the bottom of the chord. For example: A Cmajor7 chord has the notes C E G B. To make a drop 2 chord, we
take the G and drop it to the bottom. So the voicing would be G C E B. There are 4 inversions of that chord.
Now the beauty of these chord voicings is that they are 4 note (7th) chords. But there is no doubling up of
notes as in bar chords. They also free up the first finger from ‘bar duties’ to make movement between chords more
subtle and fast. With these voicings you will always find the next chord is right under your fingers or just up or
down one fret.
A Neat Drop 2 Guitar Chord Trick... Another neat trick is to learn these chords with
just the top 3 notes. Drop the bottom note altogether. Play around with them and see what you can come up
with. Great for playing blues and jazz chord licks.
FREE Drop 2 Guitar Chord PDF Downloads
Right-click here to download your Drop 2 Guitar Chord
Voicings eBook.
As well as the drop 2 chord diagrams, there are some practice tips too.
Right-click
here to download your free Guitar Practice Schedule Adobe pdf eBook.
Using a practice schedule to keep track of what you need to practice and when makes learning more
productive. Requires some self-discipline.
Recommended Books on Drop 2 Guitar Chords
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Steve Khan's Chord Khancepts
book is my personal favorite for advanced chords. I work with this a lot.
Steve shows the traditional drop 2 chords but goes much
further.
He also shows a whole bunch of new modern voicings for chords of
the Dorian, Mixolydian and Lydian modes. 3 and 4-note chords that can be used in rock,
fusion, country and jazz settings.
Also excellent for learning chords suitable for creating chord
melodies.
It's well laid out and has 2 CD's of example and practice backing
tracks.
(He answers his emails too.)
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Contemporary Chord Khancepts
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Charles Chapman is a
guitar professor at Berklee.
This book is simpler than Steve's Pentatonic Khancepts and is a
very good book to learn how drop 2 chords are made and how to use them.
I'd recommend this one first. Quick and easy to learn and apply. I
use the material from this book for my students.
No CD, but plenty of exercises and examples that will make you very
proficient with drop 2 chords in no time at all.
This stuff is NOT hard but offers some great new sounds for your
guitar chords for jazz, country, rock etc.
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Drop 2 Concept For Guitar
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Use Drop 2 Chords For Soloing Too... Learning these drop 2 chord shapes thoroughly is also a
great aide to targeting notes to play in your solos. You know the next chord coming up, you
visualize the notes on the fretboard and ‘target’ those notes in your solos. Thinking this way gets you into a more
linear, or, along (not across) the neck approach to playing. This helps avoid the problem of getting stuck in a box
or a single scale pattern that is played in one position across the fretboard. It gets you moving up and down the
neck. Watch the pro’s, you’ll see they do this a lot.
Drop 2 Chord Diagrams... I have given you diagrams for the voicings on the top 4 (E B G D)
and middle 4 (B G D A) strings. If you wish, you can work them out yourself for the bottom 4 strings. Although,
they aren’t really used that much because you are getting into the bass player’s territory and playing these chords
can possibly muddy up the bass section of your band. You don’t really want to be competing with the bass player for
the bottom end. So, these chords are usually avoided.
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